Friday, 1 January 2016

Reading Victoria Grace on Jean Baudrillard


Doodles on how I interpret the ideas, and questions it raises


What is identity? How is my identity defined, why does it involve cutting off from others – yet my being bleeds from this body, literally and figuratively, into the bodies of others, from my mother, to my children. My body is my brain is the thoughts I share, that circulate outside this maelstrom of hormones, and then reintegrate before journeying again into the maelstrom of others. Are they not me? The thoughts are me, and they leave me as me, and come back into me as me, and while they are in the maelstrom that is someone else, they are still me. Not all of me, but they are a part of me, and are a part of 'someone else' and they are themselves.

Feminists who attempt to assert the female are already accepting the patriarchal dichotomy of one and another, of difference and identity. When they grope my breasts as I walk down the street, they are asserting my difference, as well as my objectivity. When I am beaten, when we talk of femicide, these are assertions of difference, the difference that made the Holocaust possible. By asserting that I am not like them, that there is no them and no I, does it not make violence impossible? If you hurt me, that rebounds, like Death and the Maiden, straight onto you, because the separations that exist are fragile. Being female is not my identity. And to say I am Sonia is incomplete, though on one level, that is who and what I am, but I am not complete in and of myself, and this is not lack, any more than the sea has a lack until rained upon, a lack from evaporation that causes the circulation of water away before it returns. It is wholeness. What makes the sea 'lack' is not the incessant flow of rivers and rain and clouds, but the desecration of pollutions and plastics. But I am not the sea, and lack from me only comes when I do not recognise what makes me whole.

This does not mean I have no need for spaces, space to be alone, freedom from physical violation. There is a need for safety and security, but these are only possible when that interconnectedness is felt and realised. And while I sit in a room of my own, I need to be able to leave my room, and reconnect with those others who make me vital, otherwise solitude becomes loneliness, and like a snail in salt, I start to shrink.

It is not being female that makes me whole, it is being human. It is not being female that feeds my need for interconnectedness, it is being human. And it is not being female that makes me dependent on love and feedback and sharing, it is being human and being alive.

Is this why Baudrillard likes Calle? Because in her photographs she establishes an irreversible connection with a stranger, his life becomes incorporated in hers. Whenever we establish these connections, they are fraught with danger, because it is not easy, accepting, inviting in, this ongoing process of being who we are when we are with/ part of others. They enrich us, they enable us, but they are never one-way, they are reciprocal. And when that is not recognised or realised, if the person we are investing in suspects that their identity is being diluted, rather than enriched, the pain of separation can be intense, it is real. And that pain can be physcial – Calle could have been 'caught', arrested, beaten up. She is at risk. And the pain rebounds, she is risking not just herself, but also this ephemeral stranger... and by doing so her own risk is magnified.

In terms of the political project - and this is what those doodles are trying to make sense of - we need to see beyond democracy, democracy as a project that is about separation and difference. Perhaps taking a Gandhian starting point, meeting needs and reciprocity as the basis of a fair world.

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